![]() “They look at you totally horrified when you drop your guitar on the floor or shake it in front of the amp and say ‘That’s your guitar sound,’” Jim lamented to Sounds’ Sandy Robertson in February 1985. The group were critical of the traditional values of the recordists they encountered, and wanted it done their way. Early recording sessions proved abortive, with Personal disagreements with sound technicians and repeated changes in the studio continuing to stalled any progress on the album. The turbulent lead-up to Pyschocandy was fuelled by an underlying resistance to the strictures studio orthodoxy. While finding the right person was not a strictly technical detail per se it was something that allowed the group’s creativity and studio experimentation to flourish. ![]() The first essential element was a sympathetic engineer to refine and capture the group’s imagined sound on tape.
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